残酷电影免费高清在线观看全集。
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
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用很極端的方式去包裝很單純的感情,手法有點老土。
变态神经病血腥电影
被女人伤害而仇恨女人的男人遇到了被男人伤害而仇恨男人的女人后两人释放了仇恨并且相爱……最后孕育出新生命的荒谬夸张的故事……
不用字幕也能看懂的电影,就是血有点假。
变态男专业虐杀女人,变态女专业虐杀男人,两人相遇擦出奇妙火花。
B級片,極端的虐愛,虐殺,“男與女原來同命相連,都是沒有了性功能的行尸走肉。”在互相弒殺和擁抱中得知相方都是同類人,他們只有痛苦才可以感受到快感。結果最後男的死了,女的卻TMD懷孕了。當然這都是導演想表達日本社會的那些事兒。
够血腥变态的。
男女主的下面有点东西
一个没锁孔的女人和一个没撬锁工具的男人经历种种磨难最后终有缘人相遇的感人爱情故事。
强行的实验电影,强行的表意。其实跟园子温早期电影的问题是一样的,不会讲故事。而且总感觉这个导演肯定喜欢看铁男以及园子温的电影。男主胖胖的,萌萌的会出戏,而且都不是那种普通的恶的感觉,是强行装恶。忽然想到那句话,少年不识愁滋味,为赋新词强说愁。整部电影都太强行了……
1029
导演没少看血恋
血浆用得不少但内涵太浅了,一看就知道导演是男的,完全按男人视角编的故事
绝配。
力量崇拜虚伪面具,说话人头突然沉默;红色之海知心错觉,下体要害众生皆同;游民纸箱地狱共识,性征缺失刀锋受孕;男杀女,女杀男,借浅薄对谈叙说扭曲心声,乱入一段freestyle尬聊把天聊死;视听语言残暴凌厉,冢本晋也后继有人
够变态,够血腥。
复古滤镜套的很塑料不过考虑到本身就是低成本制作就不用要求太多了,感觉受到女体铳的影响了,三个部分的故事串起来说白了就是亚人开会
...都9102年了还有这么土的电影。大迫茂生居然还客串了一个流浪汉
66.45
不要碰瓷冢本晋也。